Cozy the Art of Arranging Yourself in the World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an fine art history course or spent time in a fine arts museum, chances are y'all know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what we acquire about art history today still centers on white men from Europe and, afterward, the United States. In reality, there are so many more artists of all genders to learn from and capeesh.

Here, we're specifically taking a wait at just some of the women who have had lasting impacts on their art forms. From some of the art globe'south most iconic pioneers to its most unsung heroes, these women artists all had a mitt — and, in some cases, still have a hand — in irresolute the earth of fine fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'south Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–lxxx) — cocky-portraits in which Sherman "posed in the guises of diverse generic female pic characters, among them, ingénue, working girl, vamp, and solitary housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a motion-picture show of the installation One-half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Yous might first recollect of Yoko Ono every bit a musician and activist, but she'southward also an achieved performance and conceptual artist. Ono was considered a pioneer in the performance fine art motility, earning the nickname the "Loftier Priestess of the Happening".

Ane of her nigh revered works, Cut Slice, was a performance she first staged in Nihon; Ono sabbatum on stage in a prissy arrange and placed scissors in forepart of her, and, in an human activity of daring vulnerability, invited audience members to come up on stage and cut abroad pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do information technology, I start to choke."

Betye Saar

Betye Saar'southward Blackness Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was role of the Black Arts Motility in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you lot can get the viewer to look at a work of art, so you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as i of the near influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, simply she's also known for her hyper-real sculptures, polka dots, installations, and so much more than. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the kickoff Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New United mexican states'due south landscapes, flowers, skulls, and, simply peradventure, the skyscrapers of New York City. In the 1920s, she was the kickoff woman painter to gain the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilt Lion for best creative person in Okwui Enwezor's biennial exhibition All the World'due south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Urban center. She used her work to question guild, identity, and racial politics by demanding the audition to face up truths about themselves. She often challenged people on the streets of New York to estimate her race, socio-economic class, and gender — all while dressed equally a Blackness homo with a faux mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took identify. She is best known for her photography, picture show, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat'south works ofttimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer'south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that deed as meditations on various concepts, such as trauma, knowledge, and promise. One of her more notable works, I Smell You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's fine art addresses identity and history — and, in detail, houselessness and the voicelessness of the Kickoff Nations People in Canada. Every bit an Anishinaabekwe artist, she works to enhance awareness around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the starting time Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation fine art and sculptures — like the spider to a higher place — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual art were the primary styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art movement. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces ofttimes examine the role of women in history and civilization — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art plan in the United States.

Augusta Cruel

Augusta Barbarous with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Savage founded the Roughshod Studio of Arts and Crafts in Harlem in 1932, and, a few years subsequently, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "trunk fine art". (Just look upwards her most famous piece of work, Interior Scroll, and you'll run into what nosotros mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal gild.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York Metropolis's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to y'all? Well, that's the idea! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-correct copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's final public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during Globe War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — only in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Even so from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global problems such as racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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